2. No it doesn't. It just implies that the point of a large heel stable with a defined leader is usually the same. Who benefited from being a midcarder in the nWo? Steiner did, but that was because it was impossible to get over as a heel at the time if you weren't part of the nWo.SONICdopeFRESH wrote:2. That would imply that Nexus was better than the NWO, which can't even hold as credible. See, there's no certain way anything has to be. And that's why the NWO worked. Because it was so different. Look at all the guys that benefitted from it, who were midcarders during WCW's best days. Prime example: Do you really think that Scott Steiner would be considered one of the best wrestlers ever today, if he WOULDN'T have been in the NWO after turing on Rick? What if he just turned on Rick, and became a heel for the WCW in that time? Another few names to throw in there; Buff bagwell, Scott Hall (who made a career of being an Outsider), Kevin nash (became more than just Diesel, he became one of the most controversial superstars ever)... So many of those guys gained from the NWO. Whether they were the front 3 (Hogan, Nash, Hall), or whether they mid carder during the best days (Steiner, Buff, etc)...Big Red Machine wrote: 1. Fair enough.
2. No it wasn't. It was ridiculous. The point of a stable is to be pushed to help the guys in it stand out. If you have 20 guys, no one stands out much, aside from the leader. Look at Nexus. The only two guys who stood out were Barrett (the leader & mouthpiece) and Gabriel (who had the cool and kayfabe devastating finisher).
3. There is a difference between prize money for a sport and getting paid for performing your role on a show. Wrestling is art, not sport.
Punk got pushed BECAUSE HE WAS DRAWING, and you can tell he was drawing because he was getting more and more over.
Not everyone comes to see it all. There are a bunch of matches on the card that people don't care too much about, and even if you would like to see them, you don't necessarily think it is worth it to spend the money on the ticket or the PPV. Some matches play a lot more of a factor in your deciding to buy a ticket/PPV or not. The matches that play a bigger factor are the ones that draw you.
Wrestling is not a sport. Wrestling has predetermined outcomes. Just because it is performed by athletes does not make it a sport (cheerleaders are athletes, but cheerleader is not a sport. The same for synchronized swimming or figure skating, or competitive diving). Wrestling is art, the same way that a TV show is art. The booker writes a story for us and the wrestlers act it out. Like a play. Wrestling is a form of theater.
You clearly don't understand the concept of art. A song is not inherently better because more people have heard of it. A match is not inherently better just because more people have seen it. By your logic, something like the Maxine vs. Kaitlyn botchfest from NXT is better than any indy or TNA match ever. I hope you can understand how utterly ridiculous that is.
Shane Douglas was gone from ECW before they got national TV, so he wouldn't fit your definition of a draw. Furthermore, ECW guys weren't the one who were doing the cameos. WWF and WCW guys were. ECW guys weren't well known at all.
3. I just want you to show me any documented proof that wrestling is an art & not a sport... You haven't because you can't. Nowhere in any credible source, will wrestling be listed as art. It will however, be listed as Sports-Entertainment. Half sport, half entertainment. So how can you really argue what it is? You're basically telling wrestling that its NOT what its called itself for the last thousands of millions of years. It's a sport, and the wrestlers are athletes, not artists.
Try to refrain from telling me what you think I don't know... I easily will combat that with telling you yes, I think I understand the difference between art & a sport, because I have had numerous drawings of mine posted in our art museum, have played in an orchestra for 13 years, and have bowled on a semi professional level... Can't really bring in what you think I don't understand, because then you basically kill any momentum you have once I state how credible my opinion holds... As I also did when you assumed I had never been to an indy wrestling performance, which I proved you wrong... Never the best way to start a point... gets shut down real quick... Now, with that said. Maxine v. Kaitlyn may not be better. I've said multiple times that I'm not saying indies don't get down with the get down, but what I am saying is that which match will get more attention? The big show (no pun intended sir Paul). Why? Because it's what is more exposed & important to the media. It's where everyone wants to be.
ECW guys were very well known. You have to think how big wrestling was as a whole back then. While they didn't get the exposure WCW or WWF got, you still knew Sabu flew through burning tables, and those ECW guys got down & dirty. It was just the "when the hell do they come on" factor.
Hall? He was a top-midcarder when he left WWF and remained a top-midcarder throughout his time in WCW. If Scott Hall hadn't been one of the three founding members of the nWo, he, too would have been lost in the shuffle.
Bagwell? Yeah. Konnan? A bit. X-Pac? I guess so (but this is more likely due to his friendship with Hall & Nash more than anything else. If he hadn't been friends with them, he would have just been another guy).
Now look at all of the midcarders who didn't get helped at all by being of the nWo:
Scott Norton (not in WCW anyway- in New Japan, yeah)
Virgil
Brian Adams
Mike Rotunda
Curt Hennig
Big Bubba Rogers
Horace Hogan
Stevie Ray
Compare that to the Four Horsemen:
Luger, Sid, Benoit, Barry Windham, and Jeff Jarrett were all given major boosts in their careers through their time as members of the Four Horsemen. The same formula was successfully repeated in Evolution with Batista and Orton, with Bam Bam Bigelow in Triple Threat, and most recently with Sara Del Rey in the BDK.
The nWo wasn't able to make as many stars out of its midcarders despite having more members at any one time than these other groups... because having so many members takes the focus off of the individual members (even with SDR in the BDK, a lot of the focus has been taken off of guys like Ares and Pinkie Sanchez, and Daizee, who turned along with Sara, has taken a back seat to Sara as well, even while the soft turn was developing).
3. From the Wikipedia page on "Theater"-
That is what we have going on here. Pro wrestling is a type of theater, just like musicals are a type of theater. Theater is a sub-type of entertainment. Just like sports are a sub-type of entertainment.Theatre (or sometimes in American English theater[1]) is a collaborative form of fine art that uses live performers to present the experience of a real or imagined event before a live audience in a specific place"
From the Wikipedia page on "Sports Entertainment"-
From the Wikipedia page on "Professional Wrestling"-Sports entertainment is a type of spectacle which presents an ostensibly competitive event using a high level of theatrical flourish and extravagant presentation, with the purpose of entertaining an audience. Unlike typical athletics and games, which are conducted for competition, sportsmanship, exercise or personal recreation, the primary product of sports entertainment is performance for an audience's benefit, thus they are never practiced privately.
Commonly, but not in all cases, the outcomes are predetermined (such cases are not considered to be fixed, however, as it is an open secret).
The first time the term sports entertainment was used was by the WWF in New Jersey to argue that pro wrestling should not be regulated the same way that combat sports are regulated, because pro wrestling is not a sport! Wrestling has called itself a "sport" because, for most of its existence, it wanted people to believe that it was a legitimate competition, no less real than a baseball game. The term "sports entertainment" has started to be used to describe it in order to appeal to the demographics it is trying to appeal to. I'm not saying that pro wrestlers aren't athletes. I am saying that they are not taking part in a sport. There are many types of athletes who don't take part in a sport: Cheerleaders, synchronized swimmers, competitive divers, figure skaters, gymnasts, etc.)Professional wrestling (often shortened pro wrestling, or simply wrestling) is a mode of spectacle, combining athletics and theatrical performance.
They are telling a predetermined story. What they are doing is not a sport. A sport is competitive (among other qualifications). Pro wrestling is not competitive, therefore it is not a sport. It is a combination of fight choreography and dramatic theater.
To quote one of your older posts:
No one has ever asserted that "sports entertainment" meant "half-sport, half entertainment." By that definition, sports themselves aren't a form of entertainment, which the ratings and ticket sales for any professional sporting league will show you are ridiculous.SONICdopeFRESH wrote: Wrestling is now Art Entertainment??? No. Half sport, half entertainment.
As for my point with this whole thing (and why the art discussion started): you have stated that indy matches are inherently worse than WWE matches because WWE has more exposure (and you backed up that assertion when you said that songs by a popular musician are inherently better than songs by an unknown musician because the well known musician is getting played [i.e. has more exposure]). You are saying that one instance of a certain form of art is inherently better than another instance of that same form of art because the first one has more exposure. I am calling that this is complete and utter bullsh*t.
You are judging these matches (and promotions) on a superficial fact (how much exposure they get). How good a match is can only fairly be judged based on the opinions of the people that have seen it, and holding the lack of opinion one way or other of people who haven't seen it against it is ridiculous. Yeah, only 20,00 people might have seen Danielson vs. McGuinness from Driven, while millions have probably seen (for example) Cena vs. The Miz from Wrestlemania 27, and while a larger raw number of people probably liked Cena vs. Miz, the percentage of the people who saw Danielson vs. McGuinness and liked it is certainly much higher than the percentage of people who saw Cena vs. Miz and liked it, and between people who have seen both, I am certain that most fo them prefer Danielson vs. McGuinness to Cena vs. Miz.
The same holds true with drawing power. Just because more people have heard of Jack Swagger than Davey Richards, and thus, Swagger draws a larger raw number of people than Davey doesn't mean that Davey is a bigger draw than Swagger, because of the (let's say) 50,000 people who have heard of Davey Richards, Davey is a draw to a higher percentage of those people than Swagger is to the millions of people who have heard of him, and if you take a poll of the people who have heard of both of them, I'm certain that the majority of those people would rather see Davey Richards than Jack Swagger.
Your way of looking at things penalizes wrestlers (and promotions, and, apparently, musicians) for something beyond their control. Having less exposure does not make something inherently worse. As CM Punk has proven, if you take an indy guy, put him in WWE, and give him the same opportunity for success (time to get his stuff over in the ring, time to get himself over on the mic, good booking, and not changing your mind about things on a whim) that he was given on the indies, he will draw the same proportion of his new, wider, audience that he did in his more narrow indy audience.
As for the ECW guys- like many fans experience with TNA and with the indies, you can only ask "when are those guys on" if you know that they exist, which, if they are on at very abnormal hours and/or on an obscure channel (as was the case with TNA and with ECW), it is highly unlikely you will discover them.