The way the new contracts work, is that they guys will get a regular paycheck every two weeks, as opposed too being paid at shows or based on dates. There are no bonuses for working dates. If outside promoters want to book talent, TNA will assign the talent to their shows and the promoters would pay TNA for their services.The talent doesn’t get money from doing those shows, as the guarantee is also based on TNA having the ability to exclusively book the talent wherever it wants outside of TNA. So, that puts the contracts in a different light if you think about it. If TNA can sign someone for $100,000 per year, and then book them two dates per week at $750 per shot, with a few weekends off here and there, that can be close to $75,000 a year of income coming in. If they can get $1,000 per shot for them, they’ll make virtually the entire contract back. So the key to making these new deals work from a TNA standpoint is for their TV to get the contracted guys over enough a stars to where indie promoters will have a demand for them. TNA has historically not been very good at that
there seems to be a lot of potential here, but like Meltzer said, they need to make their guys look worth the money, but i can see guys like Galloway, Hardy, ECIII all being worth it at leastMeltzer note on how the new Impact contracts work
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